Below is the second Weekly Log that I completed which was made shortly after the start of October, when I developed my darkroom experiments further, among other pieces of work that I did.
Research / Context
I looked at three different artists that had created their own works, who were based around the Surrealism movement, and that was Francesca Woodman, Paul Nougé & Jan Svankmajer. I’ve used the ideas that I’ve gathered from these artists’ works and have put those ideas to good use by creating my own form of Surrealist Photography, so that the research I have will connect and relate entirely to my own ideas, as well as my own form of Surrealist Photography.
After gathering some research about these 3 artists, I was able to develop my own understanding of the processes that these artists had used on their own work, and because I was able to develop my own understanding of these processes that these three artists had used, I was able to put my own form of Surrealist Photography into my own perspective, and also make it something that would be my own, so that nothing is copied, but what I would create would be entirely original.
Practical Tasks Done
How did I do it? Well in order for me to develop this process, I would need to use the research that I had gathered and come up with my own ideas, so that I could put my own ideas that I would come up with to good use, and to also make sure that the ideas that I have come up with connects entirely to my own form of Surrealist Photography.
What did I think was difficult? What I thought was difficult about producing my own form of Surrealist Photography was how I could create a certain form of Surrealism without compromising what my Surrealist Photography was really about.
What worked well? What worked well for me was that I was able to create entirely different forms of Surrealism by getting the small number of students (3 students overall, including myself) in my group to create certain forms of movement with a certain object, whether it would be a doll, a mannequin, a pack of cards or a glass bottle, so that my own form of Surrealist Photography would have certain, if not, many elements of heartbreak.
How could I improve it? I could improve it by making sure that I broaden my research a lot more, and that I have just the right amount of research available, so that I can broaden and extend my own ideas further, without compromising how I want the final result to officially turn out.
In terms of composition, that’s in terms of framing and the positioning of objects, that’s including the line, tone, texture depth and many more, I had to make sure that the Surrealist Photography that I wanted to produce would have the people in my group doing certain forms of movement, as well as carrying an object or objects. For example, my form of surrealism focuses around the idea of heartbreak, so I wanted to create a vision where someone would be suffering from heartbreak, but where that person could be sleeping at night while being in a hallucinating world of bad thoughts.
How could my research/contextual studies be applied to help me develop my own experiments? My research/contextual studies, which were based on the three artists in question can be applied to the Surrealism movement, as I will be able to look at the three artists I have studied that are a part of the Surrealism movement, and come up with all-new, and original ideas that can help me to produce my own Surrealist Photography work. The research I have gathered will most certainly help me in developing my own Surrealist Photography, so that what I create is not copied at all, but is entirely original.
This second Weekly Log article has officially come to an end. Check back very soon for the final Weekly Log for today before the Quote Article.