Headshot #9 / Facial Expressionism / Final Major Project / Kasra Soltani

Continuing on from Headshot #8, I have photographed my close friend, Kasra Soltani, for Headshot #9 of my Facial Expressionism Final Major Project.

For these headshot photographs, just like I did with Jonathan McCartney, Steven Geer, Oli Regan & Leonardo Mouza, I have used a black backdrop to bring out the emphasis of the facial expressions I have asked him to make.

As my research has influenced, informed and helped me to develop my critical thinking and photography skills further, I have made sure that these photographs stand out and give the facial expressions I have asked Kasra to make a better insight, so that each facial expression brings to the surface the emotion that goes with that specific facial expression.

As well as the facial expressions I have asked Kasra to make, I have also photographed him doing different facial expressions naturally, so in this case, when I say natural, I mean he has been able to do facial expressions I wouldn’t usually expect him or anyone else to do. I’ve even got him to do some of the expressions again, but this time, in his own way, so at least then his natural facial expressions compared to the facial expressions I have asked him to make put more emphasis on the photography work I have produced.

Below are the headshot photographs, including the WordFoto Edits and the Black & White Versions of these photographs I have produced featuring my cl0se friend, Kasra Soltani.

Canon EOS 1200D

WordFoto Edits

Black & White Versions of Original Photographs

I feel that these photographs I have produced of my close friend, Kasra, for Headshot #9, show dramatic improvements in my photography skills, as I have made sure to adjust the position of the light to set the tone of these photographs correctly to the emotions I have asked Kasra to make, and I have noticed that my photographs have more of a shallow depth of field. I have also noticed and improved over the course of time with the clarity of the photographs I have taken, and I strongly feel that Headshot #9 has helped to inform and note the improvements and changes I have made to make these photographs stand out. To improve for next time, I will be making sure to explore the emotions effectively as opposed to Kasra’s body language, so that his body language can reflect the facial expressions I have asked him to make, as well as the facial expressions he has made himself.

These photos of my close friend, Kasra Soltani, that I have produced for Headshot #9 can be found in my E-Folio.

I am open to your responses, so please let me know if there are any improvements I can make for next time and if so, please highlight the areas you feel I could improve on for next time when I publish Headshot #10. which will be the final headshot article to close much of the practical side of my Facial Expressionism Final Major Project.

Your responses and critique are greatly appreciated.

Alex Smithson

If you want to follow my close friend, Kasra, on Instagram, I have provided his Instagram username here: @Kass.ll7

Headshot #8 / Facial Expressionism / Final Major Project / Kasra Soltani

As part of my Final Major Project, Headshot #8 follows on Headshot #7, which focused on the subject, Mhamad Rauf, and Headshot #8 focuses on my next subject, which is my close friend, Kasra Soltani.

For these photographs, I wanted to create a different approach to the facial expressions I wanted Kasra to make by getting him to do those facial expressions as to the way he makes those facial expressions naturally.

I experimented, just like with Headshot #6 of Terrence & Leonardo and with Headshot #7 of Mhamad, with the graffiti as a backdrop, as I wanted to photograph Kasra down in the walkway that is just on the right-hand-side outside the rotunda of Croydon College.

All of these headshot photographs build further on all of the research I have done over the course of the Facial Expressionism Final Major Project, and the five photographers I have done research on are Fazal Sheikh, Irving Penn, Thomas Ruff, August Sander & David Bailey.

Below are the headshot photographs I have produced of Kasra, including some Monochrome photographs that I produced after I finished photographing Kasra making the facial expressions I asked him to do for these photographs.

Canon EOS 1200D

WordFoto Edits

Monochrome (Black & White) / Facial Expressionism Photographs + A Continuation of the First Set of Facial Expressionism Photographs

I feel that the research I have done over the course of the Facial Expressionism Final Major Project has really informed and developed my photography skills further. I have noticed with these photographs I have taken of Kasra that my photography skills have rapidly improved. Up until I photographed Terrence, Leo, Mhamad & Kasra, I was initially against the idea of photographing outside the college, but I was glad to have experimented further with my photography skills by photographing outside the college. as I have noticed in just the short space of a few weeks that my photography skills are now a lot better.

These photographs I have taken of my close friend, Kasra Soltani, including the edits I have produced can be found in my E-Folio, but stay tuned, as I will be publishing Headshot #9 very soon, in which I have photographed Kasra again, but this time in the photography studio. I can guarantee that the next batch of photographs I have produced for Headshot #9 featuring Kasra will be the best photographs I have produced yet.

I would most certainly love to get your response on these photographs and please let me know if there are any improvements I can make for next time. Your response is greatly appreciated.

Alex Smithson

If you want to follow my close friend, Kasra, on Instagram, I have provided his Instagram username here: @Kass.ll7

Headshot #5 / Facial Expressionism / Final Major Project / Leonardo Mouza

Continuing on from Headshot #4, in which I photographed the famous actor and Mental Health Awareness Campaigner, Oli Regan, Headshot #5 brings the next subject I have photographed for my Facial Expressionism Final Major Project, Leonardo Mouza.

For these headshot photographs, I wanted to take a different approach with the same expressions I wanted him to make, but this time by getting him to do those expressions naturally as to how he would make those expressions himself, but from his perspective.

These headshot photographs I produced build on the research I have done so far on the photographers, which are Fazal Sheikh, Irving Penn & Thomas Ruff.

I used a black backdrop to produce these photographs of Leo as I wanted to make sure the facial expressions he made would stand out and that his facial features had a sense of sharpness that would connect to each emotion I got him to make. These photographs help to build on the foundations of the Facial Expressionism Final Major Project I have been working intensively hard on.

Below are the headshot photographs I have produced of my friend, Leonardo Mouza.

Canon EOS 1200D

WordFoto Edits

Black & White Versions of Original Photographs

Overall, I am really pleased with the end result of these photographs, considering the lighting I used would bring out a natural approach to the facial expressions I got Leo to make. I will be continuously improving on my photography skills as I will be photographing outside the college next time so that I can get more hands-on with my photography skills. I have taken into account that at least two of the photos came out but not in the way I initially expected but as I said, I will be continuously improving on my photography skills over time. These photographs, including the edited versions that I produced in WordFoto and GIMP (GNU Image Manipulation Program), can be found in my E-Folio.

I would most certainly love to get your response on these photographs and please let me know what improvements I can make for when I produce more Facial Expressionism headshot photographs next time. Your response is greatly appreciated.

Alex Smithson