Photo Moment: BOXPARK / Sunday 7th May 2017

As today marked the end of such a fantastic weekend, considering I went out and partied last night at my friend’s house, I ceased the opportunity to photograph BOXPARK before I headed home after staying at my friend’s house for the night.

I absolutely enjoyed myself at my friend’s party last night and I feel so much better now because I needed to go out and have a good time as a way of de-stressing from all of the revision for my GCSE English Exam, which I am pleased to say I absolutely nailed on the head as all questions were answered, so all I can hope for is that I pass GCSE English this time, whilst looking around for jobs in the meantime.

The weather was absolutely lovely today and today marked the end of such a fantastic weekend. All I will be doing over the next few weeks now is revising as much as I can on GCSE Maths, whilst getting my Final Major Project work done and finalised before I submit all of my coursework for the Summative Assessment which takes place in a couple of weeks from now.

Below is the photograph of BOXPARK I produced earlier this afternoon before I headed home.

How was your weekend? I would love to hear your response.

Alex Smithson

Welcome to May!

Welcome to May on Mother Nature. As May is set to be one of the busiest months for me considering I’ve got a lot of revision and coursework to do, it’s safe to say that the next few weeks will be full of a lot of hard work and dedication.

Over the course of the next few weeks, I will be publishing more headshot photographs that I take and my E-Folio will be updated a lot more so I can be sure that the photography work and research I present to you connects to my Facial Expressionism Final Major Project.

Also. today marks the start of Mental Health Awareness Month, so if you are someone who suffers from Mental Health or know anyone who suffers from any Mental Health condition, then this month is our chance to raise awareness for Mental Health and to make sure we can end the stigma once and for all.

Also, as well as the headshot photographs I will be publishing, I wanted to let you all know that I won’t be able to publish frequently over the next few weeks as I’ll be revising for my GCSE exams, considering I have my only GCSE English exam on Friday 5th May, with my GCSE Maths Non-Calculator Exam being on the 25th May and then the Calculator paper on the 8th June.

Until then, Welcome to May!

Alex Smithson

Monthly Roundup: April 2017

Wow! This month sure flew like the wind. I’ve been so busy with coursework and revision lately that the time has flown! I am so pleased to have got so much coursework done and I’m so glad to have shown all of you the work I have produced for my Final Major Project, including the research I have done for my Facial Expressionism Final Major Project.

Without further ado, I shall now take a look back at the articles I published over the course of April.

1.4.2017 – Welcoming you all to April on Mother Nature, I mentioned that this month would set to be just as relaxing and as peaceful as March, but that it would also be set to be quite the busy month for me, considering I would need to travel to places up in London that I can photograph, including heading to certain galleries in London to further my research and development for the Facial Expressionism Final Major Project that I’ve been working on.

7.4.2017 – The Blossoming Feels of Spring highlighted how wonderful this day was because it was nice and sunny, the temperature was just right. and I had ceased the opportunity to photograph some parts of my garden. I experimented with the ISO frequently to see which ISO setting suited the lighting conditions the best.

8.4.2017 – Nature is Beautiful proved that even Mother Nature herself continued to amaze us and because there was a small breeze in the air with the lovely sunny weather on this day, it was safe to say that this weather was beautiful and that Mother Nature is also beautiful.

9.4.2017 – Inspire to be Positive was my way of inspiring others and to promote positivity, equality and diversity towards everyone, and that we should all drown out negativity and inequality.

11.4.2017 – This day marked the beginning of a new chapter for Windows 10. As Windows Vista officially ended extended support on this day, the Windows 10 Creators Update was officially released. I gave a full run-down on the features I came across in the Creators Update considering that I made the jump to the Windows 10 Creators Update a week early ahead of this day’s official release and mentioned that another major Windows Update was set to be released in the coming months.

15.4.2017 – As it was four years since I last visited Battersea Park, it was safe to say that not a lot had changed since my last visit. During the course of my time that I revisited Battersea Park, I produced a large photographic collection that consisted of my journey to Battersea Park, including perspective photographs that I took throughout certain areas of Battersea Park itself, even though two dogs had caught two of the tennis balls me and my family were using when we played cricket on the large field, which were eventually knackered after a few whacks with the cricket bat.

21.4.2017 – As part of my Final Major Project, I did research on the photographers that influenced me in the photography work I wanted to produce, considering that my Final Major Project is based on Facial Expressionism. The first photographer I researched for my Final Major Project was Fazal Sheikh, as his work aimed to document and even personalise the power of portraiture whilst bringing the displaced parts of the world, including its own people, into focus.

23.4.2017 – Continuing on from the first photographer I researched for my Final Major Project, the second photographer I chose to research was Irving Penn, as he was an American photographer who was best known for his portrait, still life and fashion photography collections, and his photography career consisted of work he produced with the top fashion magazine company, VOGUE, including Clinique and Issey Miyake.

24.4.2017 – Following on from the research I did so far for my Final Major Project, I started to develop my photography skills further, and the first subject I photographed for my Final Major Project was my good friend, Jonathan McCartney. As Fazal Sheikh & Irving Penn’s photography work inspired me in the development of my Facial Expressionism Final Major Project, I experimented with a white backdrop on the first set of photographs I took of my friend, Jonathan and acknowledged that some of the emotions might not connect to some of the photographs depending on which way the first headshot photographs were viewed. I also experimented further with the same photographs by converting the photographs into words with the app, WordFoto.

25.4.2017 – Following on from the first set of headshot photographs I took of my good friend, Jonathan McCartney, I presented to you the second headshot photographs I took of my friend, Jonathan, but this time, with a black backdrop, which I must say actually worked much better compared to a white backdrop, and the black backdrop was an idea a close friend of mine suggested to me after he critiqued the Headshot #1 photographs I took of Jonathan. These headshot photographs not only improved my photography skills, but it made a lot of sense to use a black backdrop in these photographs, including any other photographs that I would produce. I made sure to experiment carefully with these photographs by editing them in WordFoto and GIMP (GNU Image Manipulation Program) so that they could retain the facial expressions I asked Jonathan to make, as these headshot photographs would tie in with my Facial Expressionism Final Major Project, including the research I did so far on the Facial Expressionism photographers, Fazal Sheikh and Irving Penn.

28.4.2017 – Continuing on from the first and second photographer I researched for my Final Major Project, the third photographer I chose to research was Thomas Ruff. Thomas Ruff is a German photographer who lives and also works in Düsseldorf in Germany. As he shares a photography studio with other German photographers, such as Andreas Gursky, Axel Hütte and Laurenz Berges on Düsseldorf’s Hansaalee, the photography studio itself formerly comprised of a municipal electricity station, which was converted between the course of 1998 and 2000 by the architects, Herzog & de Meuron, who are part of Tate Modern fame, with an updated basement gallery that was completed in 2011.

29.4.2017 – Following on from the research I did so far on the photographers, Fazal Sheikh, Irving Penn and Thomas Ruff, the second subject I chose to photograph for my Final Major Project was Steven Geer. For the Headshot #3 photographs, just like I did with the Headshot #2 photographs I took of my friend, Jonathan McCartney, I had made sure to use the black backdrop again, so that the facial expressions I would get Steven to do wouldn’t just have a real sense of depth, but that the expressions that Steven would make would capture a real sense of emotion. I experimented very carefully with the photographs as these photographs would build on the research I did so far on the 3 facial expressionist photographers; Fazal Sheikh, Irving Penn & Thomas Ruff.

30.4.2017 – Following on from the research I did so far on the photographers, Fazal Sheikh, Irving Penn and Thomas Ruff, the third subject I am honoured to have photographed for my Final Major Project was the famous actor and Mental Health Awareness Campaigner, Oli Regan. For the headshot photographs I took of Oli, I experimented with a black backdrop so that the facial expressions I asked Oli to make would give the emotion from the facial expressions he made more emphasis and more depth. After I photographed Oli with the black backdrop, I then opted to try out a red backdrop, so that I could capture some of the facial expressions again, but this time, I wanted to try and photograph Oli like as if I photographed him for a magazine cover photoshoot.

Thanks so much to all of you for such a fantastic, fun-filled, exciting and fun-filled month. I am so honoured to have shared my photography work and the research I’ve done with all of you. I have noticed I’ve been a whole lot more productive with the work I’ve produced, as well as the research I’ve done and I am so determined to succeed with a much higher grade this time around that I am making sure to work my socks off to get the best grades I want to get before I finish my final year of college at the beginning of July. I will make sure to work hard to succeed and to make sure I end my education on a high note and to also go out with a bang!

Again, thanks so much to all of you for such a fantastic, fun-filled, exciting and fun-filled month and I will see you all in May.

Alex Smithson

Headshot #4 / Facial Expressionism / Final Major Project / Oli Regan

Following on from the research I have done so far on the photographers, Fazal Sheikh, Irving Penn and Thomas Ruff, the third subject I am honoured to have photographed for my Final Major Project is the famous actor and Mental Health Awareness Campaigner, Oli Regan.

For these headshot photographs, I experimented with a black backdrop so that the facial expressions I asked Oli to make would give the emotion from the facial expressions he made more emphasis and more depth.

After I photographed Oli with the black backdrop, I then opted to try out a red backdrop, so that I could capture some of the facial expressions again, but this time, I wanted to try and photograph Oli like as if I photographed him for a magazine cover photoshoot.

Canon EOS 1200D / Black Backdrop

Canon EOS 1200D / Red Backdrop

WordFoto Edits (Black Backdrop)

WordFoto Edits (Red Backdrop)

Black & White Edits (Black & Red Backdrops)

Overall, I am so pleased with the end result that has come out of these photographs I have produced and experimenting with a red backdrop has actually helped me to produce better photographs alongside the black backdrop, but it is an absolute pleasure to have worked with Oli Regan and I am absolutely honoured to have photographed him. Oli Regan is such a lovely and down-to-earth guy and you would be absolutely honoured to work with him.

These photographs I have produced will help me to develop my photography skills further and will most certainly inform the creative work, research and headshot photographs I have already produced.

The Headshot #4 photographs I have taken of my close friend, Oli Regan, including the edited versions of these photographs that I produced in WordFoto and GIMP (GNU Image Manipulation Program) can be found in my E-Folio.

I would most certainly love to get your feedback on these photographs and please let me know what improvements I can make for when I produce more Facial Expressionism headshot photographs for next time. Your feedback is greatly appreciated.

Alex Smithson

Headshot #3 / Facial Expressionism / Final Major Project / Steven Geer

Following on from the research I have done so far on the photographers, Fazal Sheikh, Irving Penn and Thomas Ruff, the second subject I have chosen to photograph for my Final Major Project is Steven Geer.

For these headshot photographs, just like I did with the Headshot #2 photographs I took of my friend, Jonathan McCartney, I did make sure to use the black backdrop again, so that the facial expressions I would get Steven to do would have not just a real sense of depth, but that the expressions that Steven would make would capture a real sense of emotion.

I experimented very carefully with these photographs as these photographs build on the research I have done so far on 3 facial expressionist photographers; Fazal Sheikh, Irving Penn & Thomas Ruff.

Below are the Headshot #3 photographs of my friend, Steven.

Canon EOS 700D

To develop the photographs further, I used WordFoto to alter the appearance of the photographs I took of Steven and assigned each emotion to the facial expressions I asked Steven to make.

WordFoto Edits

Below are the Black & White Edited Versions of these photographs, to give the facial expressions that Steven’s pulling more of an effect.

Overall, I am absolutely pleased with the end result that came out of these photographs, and being critiqued on my work actually helps me to develop my photography skills better, not just from receiving peer critique whilst I’m in my Film & Photography lessons, but also from receiving critique from a close friend of mine.

The Headshot #3 photographs I have taken of my friend, Steven Geer, including the edited versions of these photographs that I produced in WordFoto and GIMP (GNU Image Manipulation Program) can be found in my E-Folio.

I would love to get your feedback on these photographs and please let me know what improvements I can make for when I produce more Facial Expressionism headshot photographs for next time. Your feedback is greatly appreciated.

Alex Smithson

Thomas Ruff / Research

Continuing on from the first and second photographer I have researched for my Final Major Project, the third photographer I have chosen to research is Thomas Ruff.

Thomas Ruff is a German photographer who lives and also works in Düsseldorf in Germany. As he currently shares a photography studio with other German photographers, such as Andreas Gursky, Axel Hütte and Laurenz Berges on Düsseldorf’s Hansaalee, the photography studio itself formerly comprised of a municipal electricity station, which was converted between the course of 1998 and 2000 by architects, Herzog & de Meuron, who are part of Tate Modern fame, with an updated basement gallery that was completed in 2011.

Below are the slides in the exact order, and the work I have done Harvard Referencing for which references Thomas Ruff’s photography work I take absolutely no credit for. I also take absolutely no credit for the self-portrait photograph produced by Hans Peter Schaefer and Thomas Ruff. I’ve merely referenced Thomas Ruff’s work in my research as inspiration to inform and develop my own photography work and photography skills further.

The pages that are referenced can be found below, complete with Harvard Referencing, the awards that recognised Thomas Ruff’s work, as well as the various exhibitions he has done, including his publications and ISBN numbers, and also his major collections, with external links to further research. All credit goes to Thomas Ruff, Tate Modern, Hans Peter Schaefer, Haus Der Kunst & Rubell.

This research I’ve done on Thomas Ruff will help me to develop my headshot photographs better for my Facial Expressionism. As I’ve mentioned before, I will be photographing some subjects for my Facial Expressionism Project, so you’ll be seeing some new headshot photographs very soon. This research presentation can also be found in my E-Folio and any of the subjects I photograph will also be featured in the E-Folio once the headshot photographs I produce of the subjects I photograph for my Facial Expressionism Final Major Project are published. I can promise there are some updated headshots on the way, and one of the subjects I will be photographing soon will be someone who I’ve been working with most recently, so I am absolutely certain that you won’t want to miss the creative photography work I will be publishing very soon.

If you found this research presentation on Thomas Ruff useful, please let me know. I would love to hear your response.

Alex Smithson

Headshot #2 / Facial Expressionism / Final Major Project / Jonathan McCartney

Following on from the first set of headshot photographs I took of my good friend, Jonathan McCartney, I present to you the second headshot photographs I took of my friend, Jonathan, but this time, with a black backdrop, which I must say actually works much better compared to a white backdrop, and the black backdrop was an idea a close friend of mine suggested to me after he critiqued the Headshot #1 photographs I took of Jonathan.

These headshot photographs have not only improved my photography skills, but it does make a lot of sense to use a black backdrop in these photographs, including any other photographs that I will produce.

I have made sure to experiment carefully with these photographs by editing them in WordFoto and GIMP (GNU Image Manipulation Program) so that they can retain the facial expressions I asked Jonathan to make, as these headshot photographs tie in with my Facial Expressionism Final Major Project, including the research I have done so far on the Facial Expressionism photographers, Fazal Sheikh and Irving Penn.

Below are the Headshot #2 photographs of my friend, Jonathan.

Just like before, I have edited these photographs with WordFoto and used more than one word on one of the edited photographs shown below.

I have made sure to develop the photographs further by also changing the selected photographs to black and white whilst raising and lowering some of the curves on the photographs so that the lighting on Jonathan brings out his facial expressions better with a sense of depth and detail.

Overall, I am absolutely pleased with the end result that has come out of these photographs, and being critiqued on my work has actually helped me to develop my photography skills better, not just from receiving peer critique whilst in my Film & Photography lesson, but also from receiving critique from a close friend of mine.

The Headshot #2 photographs I have taken of my friend, Jonathan McCartney, including the edited versions of these photographs that I produced in WordFoto and GIMP (GNU Image Manipulation Program) can be found in my E-Folio.

I would love to get your feedback on these photographs and please let me know what improvements I can make for when I produce more Facial Expressionism headshot photographs for next time. Your feedback is greatly appreciated.

Alex Smithson

Headshot #1 / Facial Expressionism / Final Major Project / Jonathan McCartney

Following on from the research I have done so far for the Final Major Project, I have started to develop my photography skills further, and the first subject I have photographed for my Final Major Project is my good friend, Jonathan McCartney.

As Fazal Sheikh and Irving Penn’s photography work has inspired me in the development of my Facial Expression Final Major Project, I have experimented with a white backdrop on the first set of photographs I have taken of my friend, Jonathan. Below are the headshot photographs I produced showing Jonathan doing different facial expressions. I acknowledge that some of the emotions might not connect to some of the photographs depending on the way these photographs are viewed, but I will be improving on this over the next few weeks.

Below are the headshot photographs I have produced so far.

I also experimented further by using the same photographs again, but this time, using the WordFoto app and I was able to use the WordFoto app to convert these photographs into words. The edited versions of these photographs can be found below.

I am pleased with the end result that has come out of the headshot photographs I produced. I have taken into account the peer critique I received on Friday 21st March 2017, especially the peer critique a close friend of mine gave to me on how to improve, and for the next set of photographs I produce which will consist of a different subject I photograph, I will be making sure to use a black backdrop as this will give me the chance to get the subject I will photograph to stand out better. A black backdrop is what I will use next time as the subject’s facial expressions can stand out more with some depth behind it to back up the facial expressions that are made.

The Headshot #1 photographs I have taken of my friend, Jonathan McCartney, including the edited versions of these photographs that I produced in WordFoto can be found in my E-Folio.

I would love to get your feedback on these photographs and please let me know what improvements I can make for when I produce more Facial Expressionism photographs next time. Your feedback is greatly appreciated.

Alex Smithson

Irving Penn / Research

Continuing on from the first photographer I have researched for my Final Major Project, the second photographer I have chosen to research is Irving Penn.

Irving Penn was an American photographer who was best known for his portrait, still life and fashion photography collections, and his photography career consisted of work he produced with the top fashion magazine company, VOGUE, including Clinique and Issey Miyake.

Below are the slides in the exact order, and the work I have done Harvard Referencing for which references Irving Penn’s photography work I take absolutely no credit for. I also take absolutely no credit for the self-portrait photograph produced by Irving Penn himself. I’ve merely referenced Irving Penn’s work in my research as inspiration to inform and develop my own photography work further inspired on Irving Penn’s photography work.

The pages that are referenced can be found below, complete with Harvard Referencing, the award that Irving Penn received for his work, as well as the various exhibitions he did in his life, including the posthumous exhibitions after he passed away that showcased his work, not to mention Irving Penn’s bibliography, which consists of publications and ISBN numbers, and also his major collections, with external links to further research. All credit goes to Irving Penn & The Irving Penn Foundation.

This research will give me the chance to develop my Facial Expressionism Final Major Project better. As I’ve mentioned before, I will be photographing some subjects for my Facial Expressionism Project, so you’ll be seeing some photography work soon. This research presentation can also be found in my E-Folio and any of the subjects I photograph will also be in the E-Folio once the subjects I have photographed are published. There’s a lot of great opportunities in store so I am sure that I will be able to present to you a lot more of my creative photography work.

If you found this research presentation on Irving Penn useful, please let me know. I would love to hear your response.

Alex Smithson

Fazal Sheikh / Research

As part of my Final Major Project, I have been doing research on the photographers that influence me in the photography work I want to produce, which will be based on Facial Expressionism. The first photographer I have researched for my Final Major Project is Fazal Sheikh.

Fazal Sheikh’s photography work aims to document and personalise the power of portraiture whilst bring the displaced parts of the world, including its own people, into focus.

Below are the slides in the exact order, and the work I have done Harvard Referencing for which references Fazal Sheikh’s photography work I take absolutely no credit for. I also take absolutely no credit for the photograph of Fazal Sheikh produced by the MacArthur Foundation. I’m just merely referencing Fazal Sheikh’s work and the photograph of Fazal Sheikh produced by the MacArthur Foundation in my research as inspiration to inform and develop my own photography work inspired by him.

The pages that are referenced can be found below, complete with Harvard Referencing, the awards that Fazal Sheikh has received for his work, as well as the various exhibitions he has done that showcases his work, not to mention the publications and ISBN numbers, and also his collections, with external links to further research. All credit goes to Fazal Sheikh and the MacArthur Foundation.

This research will help me to develop my Facial Expressionism Final Major Project better, as I will be photographing some subjects for my project, so you should see some photography work very soon. This research presentation can also be found in my E-Folio and any of the subjects I photograph will also be in the E-Folio once the subject photographs are published. There’s a lot of good photography opportunities in store so I can be sure that I will be able to present to you a lot more of my creative film and photography work.

If you enjoyed or found this research presentation useful, please let me know. I would love to hear your response.

Alex Smithson