We all have our own ways of being creative, but just how do we set that creativity of ours free? Well, it’s pretty easy to do so nowadays, as a lot of artists record time-lapse clips which are often uploaded to Instagram, Vine, Twitter and even Facebook, but it’s being able to document the process that is often the most crucial key factor of drawing.
Recently, I published two artistic interpretation articles which were based on the Queen of Pop Songstress, Madonna, with possibly a third on the way (still thinking about it), as I did the first one based on a photograph taken during the Ray of Light era, while the second artistic interpretation, which I published most recently, was of Madonna during the 1986 True Blue Era, based on the iconic photograph that Herb Ritts took of her 30 years ago.
I love the thought of drawing, because it helps me to set my creativity free, as well as the kind of ideas that I’ve had in mind beforehand. I always believe that setting your creativity free is good, as this can help you to really produce something that no-one else will be able to produce, even if they tried.
Of course, being creative can be difficult because it’s how you design something, whether it would be to do with designing something on a computer, or putting those ideas or concepts onto paper, and yes, at times I have had the occasional creativity block, and it can be annoying at times, but it’s when we let our sub-conscious minds wander when drawing that often makes us produce the best pieces of work that we didn’t think we could produce.
You might remember 3 years ago I went to Kelsey Park during the 6-week Summer Break that I was on when I finished Year 10. Well I didn’t realise this, but when I took that photograph of the Canada Goose, which all of you have seen, I actually didn’t realise that the photograph of the Canada Goose would be the most iconic photograph I had taken.
The year after I took that iconic photograph, I revisited Kelsey Park again, but this time took a photo of a Squirrel which had clenched both its little hands together, like as if it was fist bumping itself. That, to me was also iconic because it’s something that caught my eye.
The third photo I remember which was also iconic, which I included on Book #2: “A Year in Photography” was of the Tom Aytch graffiti wall in Shirley Hills, in Croydon, when a photographer was standing at the wall taking photos of the panoramic view, and that was an iconic photo of mine as I had also used a filter on that photograph to make it look and appear more professional.
In terms of drawing, however, I didn’t always do drawing after I finished my time for good at Oasis Academy: Shirley Park, but that changed when I enrolled onto the UAL Level 2 Art & Design Course at Croydon College back in 2014. I have noticed my drawing skills have rapidly improved over the course of the past two years, and I feel absolutely pleased that I’ve used my drawing skills wisely with drawing Madonna, and it’s an absolute relief that I’ve managed to showcase what I’ve worked on. Drawing Madonna was the best choice I had in mind, and I feel absolutely pleased that I’ve used her as an example for ideas based on the artistic interpretation drawings I did of her.
In terms of creativity, I know it’s always about being original, but it’s also about being able to express yourself in your work, as well as how you produce your work, and not just that, but whether it comes to drawing or taking photos, or even if it comes to designing something, you’ll be able to say that you had made sure to do something creative with your time, and that you chose to set your creativity free.
To end, I would like to say: “It’s Finally Time to Set Your Creativity Free!”
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