The Concept of Expression / Oli Regan

Following on from when I photographed my close friends, Saviyon Thomas & Shaquille Roachford, I am honoured to have been given the opportunity to photograph my close friend, the actor and mental health awareness campaigner, Oli Regan, again, but this time for my photography series: “The Concept of Expression”.

As I look to explore the concept of expression in the subjects I photograph, photographing Oli gave me the chance to explore his personality, regardless of the angle, but more importantly, as body language is a consistent boundary for the subject’s facial expression, photographing Oli again gave me the chance to explore his personality through these photo headshots, as well as his persona, so in this case, because he’s an actor, he puts on a serious face, which makes the photos interesting, considering that being serious really makes him stand out.

The serious impression and the modelling approach that Oli has taken to make sure the photographs I have produced look visually eye-catching are out of this world. Whilst I remember, keep an eye out for Oli on the latest EE advert that’s been on TV recently. You don’t want to miss it. To spot him, wait for Stormzy‘s song: “Big for Your Boots“, taken from his album, Gang Signs & Prayer, to come on after Kevin Bacon finishes with the word: “INCOMING!” and you should see Oli on the left-hand-side of the screen skanking to Stormzy’s record. It’s a bloody good advert and you will not be disappointed.

Below are the photos I’ve produced of my close friend, Oli Regan.

I am pleased with the way these photographs turned out, but I won’t lie to you, naming each photograph based on the expression and emotion is quite hard, and the photography work I produced when I was at Croydon College is living proof that naming each photo based on the expression and emotion is harder than it looks.

What I will need to improve on is angling the camera when I photograph any subject, so that rather than photograph the subject the way I would usually photograph them, I would need to put the camera up higher, but with the camera angled down a little so that there is little to no head-space on the portrait photographs. These photographs I have produced are really good as they capture the expressions and emotions I wanted Oli to make, but I will be making sure to improve on certain photography-based areas I may or may not be so good

These photographs I have produced are really good as they capture the expressions and emotions I wanted Oli to make, but I will be making sure to improve on certain photography-based areas I may or may not be so good at so that this gives me a better chance next time.

Other than that, I am actually pleased with the overall outcome from these photographs.

These photos will be in my E-Folio so please make sure to check my E-Folio as I will be updating the E-Folio as often as I can.

If you like these photographs I have produced of my close friend, the mental health awareness campaigner and actor, Oli Regan, please leave your comments below. I would love to hear your response and if there are any further improvements I can make for next time, please let me know. I am open to criticism as this will help me to improve the photographs I take for next time.

Alex Smithson

DSLR Used: Nikon D3300

The Concept of Expression: Saviyon Thomas & Shaquille Roachford

To kick off my own photography series, titled: “The Concept of Expression”, I have photographed two close friends of mine as I am intending to explore the concept of expression, and how a facial expression can alter or change the mood of a photograph. In this case, the two close friends I have photographed for my own photography series are Saviyon Thomas & Shaquille Roachford.

Just like when I did my Final Major Project when I was at Croydon College, when my Final Major Project was based solely on Facial Expressionism, the photography series: “The Concept of Expression” completely focuses on my own photography work post-college and post-education, and this photography series intends to explore facial expressionism in more detail, as I want to make sure I can cut to what really matters in any facial expression, whether it’s natural or not, and that’s the emotion of that specific facial expression.

After I photographed the beautifully exquisite Amy Winehouse mural which was produced by Bareface in accordance with the RISE Gallery, I decided to photograph both Saviyon Thomas & Shaquille Roachford, and by getting them to do some facial expressions, this helped me to lay the foundations of the photography work I wanted to produce. Some of the expressions that Saviyon & Shaquille made were completely natural and off-guard, though they weren’t aware that I photographed them completely off-guard until I showed them the photographs I took of both of them near the mural, and away from the mural.

Below are the facial expressions that I photographed of Saviyon Thomas.

Below are the black and white versions of some of the photographs I took of Saviyon, with different captions that I felt worked really well with the selected photos.

Below are the facial expressions that I photographed of Shaquille Roachford.

Below is a black and white version of one of the photographs I took of Shaquille, with a caption that I felt had a powerful connection with Mental Health.

Overall, with the photographs I have produced that feature my close friends, Saviyon Thomas & Shaquille Roachford, I am absolutely glad to have finally got the chance to use my own Nikon D3300 DSLR after some time of not being able to use it due to using the Canon DSLR’s at Croydon College.

The photos I changed to black and white, which are present on this website’s Instagram account, received quite a lot of good responses, which stunned me as I have now noticed my photography work is slowly but surely getting noticed, which is what I worked so hard for.

These photographs will be in my E-Folio, so please make sure to visit my E-Folio as I will be updating it more and more over the next few weeks. Stay tuned for more, as I will be photographing a certain someone again very soon who I photographed for my Final Major Project when I was at Croydon College, so I can guarantee you won’t want to miss the next person I am photographing very soon.

Please feel free to submit your response on the photographs I have produced featuring Saviyon Thomas & Shaquille Roachford. I am open to criticism as this will most certainly help me to outline the necessary areas for improvement.

Alex Smithson

Headshot Photographs / #1 to #10 / Facial Expressionism / Final Major Project / Contact Sheets

As I prepare to end my Final Major Project, which comes to a close on Monday 5th June, I have created Contact Sheets for my Final Major Project, which will be in my sketchbook once printed.

All of the Headshot Photographs which consist of my close friends, which are Jonathan McCartney, Steven Geer, Oli Regan, Leonardo Mouza, Terrence Mathew, Mhamad Rauf & Kasra Soltani, are almost ready for the End of Year Show, and all I need to do now is get the photos put on to a large number of slides, timed around 10 to 20 seconds each, and then all that’s left is to finalise my proposal and then the sketchbook annotations, along with the Final Evaluation.

I hadn’t anticipated my last year of college would fly so quick! Time flies when you’re having fun, also when you’re working your socks off to make sure you can achieve the best from the work you produce.

Below are all of the contact sheets from #1 to #10, including the photo edits and black and white versions of the original photographs.

Headshot #1 – Jonathan McCartney

Headshot #1 – Jonathan McCartney / WordFoto Edits

Headshot #2 – Jonathan McCartney

Headshot #2 – Jonathan McCartney / WordFoto Edits

Headshot #2 – Jonathan McCartney / Black & White Versions of Original Photographs

Headshot #3 – Steven Geer

Headshot #3 – Steven Geer / WordFoto Edits

Headshot #3 – Steven Geer / Black & White Versions of Original Photographs

Headshot #4 – Oli Regan / Black Backdrop & Red Backdrop

Headshot #4 – Oli Regan / WordFoto Edits / Black Backdrop & Red Backdrop

Headshot #4 – Oli Regan / Black & White Versions of Original Photographs

Headshot #5 – Leonardo Mouza

Headshot #5 – Leonardo Mouza / WordFoto Edits

Headshot #5 – Leonardo Mouza / Black & White Versions of Original Photographs

Headshot #6 – Terrence Mathew & Leonardo Mouza

Headshot #6 – Terrence Mathew & Leonardo Mouza / WordFoto Edits

Headshot #6 – Terrence Mathew & Leonardo Mouza / Black & White Versions of Original Photographs

Headshot #7 – Mhamad Rauf

Headshot #7 – Mhamad Rauf / WordFoto Edits

Headshot #7 – Mhamad Rauf / Black & White Versions of Original Photographs

Headshot #8 – Kasra Soltani

Headshot #8 – Kasra Soltani / WordFoto Edits

Headshot #8 – Kasra Soltani / Monochrome (Black & White) / Facial Expressionism Photographs + A Continuation of the First Set of Facial Expressionism Photographs

Headshot #9 – Kasra Soltani

Headshot #9 – Kasra Soltani / WordFoto Edits

Headshot #9 – Kasra Soltani / Black & White Versions of Original Photographs

Headshot #10 – Kasra Soltani

Headshot #10 – Kasra Soltani / WordFoto Edits

Headshot #10 – Kasra Soltani / Black & White Versions of Original Photographs

These contact sheets are essential for the project work I have produced, as they cover all of the work I have produced for the Final Major Project and given the fact I have named the photographs, this is beneficial for me as I can prepare for the end of the Final Major Project whilst I prepare a photographic presentation for the End of Year Show.

It’s hard to believe that on Monday 5th June at 11:30 AM, all of the work I have produced will be handed in for what will be the last time. I still cannot get my head around the fact I have only a few weeks left at Croydon College. The time sure flew! School went quick, there’s no denying that, but college, on the other hand, went like a blip!

These contact sheets, which go in conjunction with all of the coursework I have produced, will be viewable in the E-Folio.

Please submit below your response on whether there are any improvements I can make for when I produce photography work similar to the headshot photography work I have produced in the future. I would love to hear your response.

Alex Smithson

Headshot #10 / Facial Expressionism / Final Major Project / Kasra Soltani

Bringing my Facial Expressionism Final Major Project to a remarkable close, Headshot #10 marks the end of my Final Major Project Practical Work as I have photographed my close friend, Kasra Soltani.

For this final collection of headshot photographs, I have made sure to get Kasra to do some facial expressions like before, but for these headshot photographs, I have adjusted the lighting to accommodate for better focus on Kasra so that each expression he has made connects to the photography work I have already produced. Taking a new direction on the photographs, Kasra has done some new facial expressions that I initially didn’t have in mind at first and this has given me a better outlook as to how I can assign each expression with its own name, as well as to how that specific emotion connects to the facial expression I have not only asked him to make, but the facial expressions he has made naturally in most of these photographs.

This final headshot collection has informed my critical thinking, as well as the research I have done on the five photographers, which are Fazal Sheikh, Irving Penn, Thomas Ruff, August Sander & David Bailey.

Below are the final headshot photographs for my Facial Expressionism Final Major Project, complete with the WordFoto Edits and Black & White Versions of the Original Photographs.

Canon EOS 1200D

WordFoto Edits

Black & White Versions of Original Photographs

I am so pleased to have achieved such fantastic results from the photography work I have produced throughout the course of the Facial Expressionism Final Major Project, and I have noticed that every headshot collection I have produced I’ve seen improvements every time. Now that I have got together all the photographs I have produced for my Final Major Project, I will be making sure to pick a selected number of photographs from all of the headshot articles to present them as my chosen final pieces. Contact sheets are being produced at this stage which will be going in my sketchbook and my aim is to get the Final Major Project Proposal done and finalised and then get the last of my Facial Expressionism Final Major Project work done and ready before Monday 5th June.

All of the research and headshot photographs I have produced as part of my Facial Expressionism Final Major Project coursework can be found in my E-Folio.

Headshot #10 brings the practical work for my Facial Expressionism Final Major Project to a remarkable close. I am so pleased to have worked my socks off over the last few weeks. All this hard work will eventually pay off and considering it’s my final year at Croydon College and my final year of the two-year film and photography course, I want to make sure I can aim for a higher grade with all of this coursework. I am keeping my fingers crossed that I can get the best final result possible by the end of this year.

I am open to your responses and critique, so please feel free to suggest any improvements you feel I could make when it comes to producing any future photography work.

Your responses and critique are greatly appreciated.

Alex Smithson

If you want to follow my close friend, Kasra Soltani, on Instagram, I have provided his Instagram username here: @Kass.ll7

Headshot #9 / Facial Expressionism / Final Major Project / Kasra Soltani

Continuing on from Headshot #8, I have photographed my close friend, Kasra Soltani, for Headshot #9 of my Facial Expressionism Final Major Project.

For these headshot photographs, just like I did with Jonathan McCartney, Steven Geer, Oli Regan & Leonardo Mouza, I have used a black backdrop to bring out the emphasis of the facial expressions I have asked him to make.

As my research has influenced, informed and helped me to develop my critical thinking and photography skills further, I have made sure that these photographs stand out and give the facial expressions I have asked Kasra to make a better insight, so that each facial expression brings to the surface the emotion that goes with that specific facial expression.

As well as the facial expressions I have asked Kasra to make, I have also photographed him doing different facial expressions naturally, so in this case, when I say natural, I mean he has been able to do facial expressions I wouldn’t usually expect him or anyone else to do. I’ve even got him to do some of the expressions again, but this time, in his own way, so at least then his natural facial expressions compared to the facial expressions I have asked him to make put more emphasis on the photography work I have produced.

Below are the headshot photographs, including the WordFoto Edits and the Black & White Versions of these photographs I have produced featuring my cl0se friend, Kasra Soltani.

Canon EOS 1200D

WordFoto Edits

Black & White Versions of Original Photographs

I feel that these photographs I have produced of my close friend, Kasra, for Headshot #9, show dramatic improvements in my photography skills, as I have made sure to adjust the position of the light to set the tone of these photographs correctly to the emotions I have asked Kasra to make, and I have noticed that my photographs have more of a shallow depth of field. I have also noticed and improved over the course of time with the clarity of the photographs I have taken, and I strongly feel that Headshot #9 has helped to inform and note the improvements and changes I have made to make these photographs stand out. To improve for next time, I will be making sure to explore the emotions effectively as opposed to Kasra’s body language, so that his body language can reflect the facial expressions I have asked him to make, as well as the facial expressions he has made himself.

These photos of my close friend, Kasra Soltani, that I have produced for Headshot #9 can be found in my E-Folio.

I am open to your responses, so please let me know if there are any improvements I can make for next time and if so, please highlight the areas you feel I could improve on for next time when I publish Headshot #10. which will be the final headshot article to close much of the practical side of my Facial Expressionism Final Major Project.

Your responses and critique are greatly appreciated.

Alex Smithson

If you want to follow my close friend, Kasra, on Instagram, I have provided his Instagram username here: @Kass.ll7

David Bailey / Research

Drawing the research stage of my Facial Expressionism Final Major Project to a remarkable close, the fifth and final photographer I have chosen to research for my Facial Expressionism Final Major Project is David Bailey.

David Bailey is an English Fashion & Portrait photographer, who became a photographic assistant at the John French studio in 1959 and in 1960, David Bailey was a photographer for John Cole’s Studio Five before he was contracted for the iconic and internationally renowned fashion magazine, British VOGUE.

Below are the slides in the exact order, and the work I have done Harvard Referencing for which references David Bailey’s photography work I take absolutely no credit for. I also take absolutely no credit for the self-portrait photograph produced by David Bailey himself. I’ve merely referenced David Bailey’s photography work in my research as inspiration to inform and develop my own photography work and photography skills further as I approach the end of my Facial Expressionism Final Major Project.

The pages that are referenced can be found below, complete with Harvard Referencing, which describes in short detail who David Bailey is, the best photographic pieces of work he has produced, the publications he has released, the exhibitions he has done to showcase his photography work, including the awards he has received, with references and external links to further research. All credit goes to David Bailey.

Now that I have managed to cover all five photographers for the Facial Expressionism Final Major Project I have been working on, David Bailey’s photography work, including Fazal Sheikh, Irving Penn, Thomas Ruff & August Sander‘s work have helped me to develop my headshot photographs better. As I am wrapping up the Facial Expressionism Final Major Project very soon, I can promise there are three more headshot photography articles on the way.

This research presentation on David Bailey can also be found in my E-Folio and the next subject I have photographed, who is the last subject I have photographed for my Facial Expressionism Final Major Project before I submit all of my Final Major Project coursework on Monday 5th June 2017 will also be featured in the E-Folio once they’re published. I can confirm there are three more headshot photographs on the way, so keep your eyes peeled, as these photographs I have taken have shown my improvements in my photography skills, as well as the locations I have shot these photographs whilst in Croydon.

If you found this final research presentation on David Bailey useful, please let me know. I would love to hear your response.

Alex Smithson

Headshot #7 / Facial Expressionism / Final Major Project / Mhamad Rauf

Continuing on from Headshot #6, in which I photographed Terrence Mathew & Leonardo Mouza, Headshot #7 focuses on my next photographed subject, which is Mhamad Rauf.

For this photographic set, just like I did with Terrence Mathew & Leonardo Mouza, I photographed Mhamad outside and got him to do the facial expressions I asked him to make, but also photographed him in different positions, including some modelling headshots.

The graffiti on the walls of the walkway really help as they put an emphasis on the facial expressions I have got Mhamad to make, as the colour of the walkway, including the graffiti, can help to compensate for the facial expressions I have asked Mhamad to make.

At this stage, these photographs have informed the research I have done on Fazal Sheikh, Irving Penn, Thomas Ruff & August Sander.

Below are the headshot photographs of Mhamad Rauf, including the WordFoto Edits and Black & White Versions of the Original Photographs.

Canon EOS 700D

WordFoto Edits

Black & White Versions of Original Photographs

Overall, I am so pleased with the end result that has come out of these photographs I have produced and by experimenting again with the walls of graffiti found in the walkway outside Croydon College, this has actually allowed me to let my creativity run wild, ultimately giving me the chance to produce these photographs with more vibrancy so that they connect to my Facial Expressionism Final Major Project.

These photographs I have produced will help me to build on, develop and inform my photography skills further and will most certainly inform the creative work, research and headshot photographs I have already produced.

The Headshot #7 photographs I have taken of my close friend, Mhamad Rauf, including the edited versions of these photographs that I produced in WordFoto and GIMP (GNU Image Manipulation Program) can be found in my E-Folio.

I would most certainly love to get your response on these photographs and please let me know if I can make future improvements for next time. Your response is greatly appreciated.

Alex Smithson

Headshot #1 / Facial Expressionism / Final Major Project / Jonathan McCartney

Following on from the research I have done so far for the Final Major Project, I have started to develop my photography skills further, and the first subject I have photographed for my Final Major Project is my good friend, Jonathan McCartney.

As Fazal Sheikh and Irving Penn’s photography work has inspired me in the development of my Facial Expression Final Major Project, I have experimented with a white backdrop on the first set of photographs I have taken of my friend, Jonathan. Below are the headshot photographs I produced showing Jonathan doing different facial expressions. I acknowledge that some of the emotions might not connect to some of the photographs depending on the way these photographs are viewed, but I will be improving on this over the next few weeks.

Below are the headshot photographs I have produced so far.

I also experimented further by using the same photographs again, but this time, using the WordFoto app and I was able to use the WordFoto app to convert these photographs into words. The edited versions of these photographs can be found below.

I am pleased with the end result that has come out of the headshot photographs I produced. I have taken into account the peer critique I received on Friday 21st March 2017, especially the peer critique a close friend of mine gave to me on how to improve, and for the next set of photographs I produce which will consist of a different subject I photograph, I will be making sure to use a black backdrop as this will give me the chance to get the subject I will photograph to stand out better. A black backdrop is what I will use next time as the subject’s facial expressions can stand out more with some depth behind it to back up the facial expressions that are made.

The Headshot #1 photographs I have taken of my friend, Jonathan McCartney, including the edited versions of these photographs that I produced in WordFoto can be found in my E-Folio.

I would love to get your feedback on these photographs and please let me know what improvements I can make for when I produce more Facial Expressionism photographs next time. Your feedback is greatly appreciated.

Alex Smithson

Irving Penn / Research

Continuing on from the first photographer I have researched for my Final Major Project, the second photographer I have chosen to research is Irving Penn.

Irving Penn was an American photographer who was best known for his portrait, still life and fashion photography collections, and his photography career consisted of work he produced with the top fashion magazine company, VOGUE, including Clinique and Issey Miyake.

Below are the slides in the exact order, and the work I have done Harvard Referencing for which references Irving Penn’s photography work I take absolutely no credit for. I also take absolutely no credit for the self-portrait photograph produced by Irving Penn himself. I’ve merely referenced Irving Penn’s work in my research as inspiration to inform and develop my own photography work further inspired on Irving Penn’s photography work.

The pages that are referenced can be found below, complete with Harvard Referencing, the award that Irving Penn received for his work, as well as the various exhibitions he did in his life, including the posthumous exhibitions after he passed away that showcased his work, not to mention Irving Penn’s bibliography, which consists of publications and ISBN numbers, and also his major collections, with external links to further research. All credit goes to Irving Penn & The Irving Penn Foundation.

This research will give me the chance to develop my Facial Expressionism Final Major Project better. As I’ve mentioned before, I will be photographing some subjects for my Facial Expressionism Project, so you’ll be seeing some photography work soon. This research presentation can also be found in my E-Folio and any of the subjects I photograph will also be in the E-Folio once the subjects I have photographed are published. There’s a lot of great opportunities in store so I am sure that I will be able to present to you a lot more of my creative photography work.

If you found this research presentation on Irving Penn useful, please let me know. I would love to hear your response.

Alex Smithson

Pecha Kucha / Japanese for Chit-Chat

As part of my Final Major Project for the last year of my UAL Level 3 Extended Diploma Film & Photography Course at Croydon College, I was asked to produce a 6 minute and 40 second presentation on a time-keeping tool called Pecha Kucha, which is the Japanese term for Chit-Chat.

Pecha Kucha, which is Japanese for Chit-Chat, is where you produce 20 slides that have to be exactly 20 seconds each. For every slide, you would need to explain in 20 seconds for each slide a brief run-down of the kind of work you are going to produce, regardless of whether it is project-based or not. The 20 slides would have to consist of one or more short sentences you can talk about within 20 seconds, including any work you have currently produced to date.

For me, because I am fascinated by Facial Expressionism, which was a concept I worked on last year, I am interested in a photograph that captures the subject’s facial expression and emotion, and for me, I will make sure I can research certain photographers, such as Cecil Beaton, Walker Evans, August Sander, Thomas Ruff and any other photographer that specialises in Facial Expressionism; the field of work I want to produce.

These are all the notes I gathered together as part of my Pecha Kucha presentation yesterday, which went brilliantly for me yesterday considering I was nervous but showed confidence the moment I presented the work I am looking to produce for my Final Major Project. Please keep in mind just a few of the noted photographs that aren’t mine will have the name of the photographed subject, including the year the photograph was produced, also the name of the website I found the photograph from, including the website address and the recorded date that specific website was last visited. The photographs that aren’t mine at all that I referenced in this presentation as part of my Film & Photography coursework can be found on Page 4 & 9. I take absolutely no credit from the photographers who produced the work I have referenced. Those photographers whose work I have referenced in this presentation are Thomas Ruff & Bert Stern.

Over the coming weeks, I will be making sure to work my absolute hardest to really push for the best final grade possible as I want to succeed in my final year of the UAL Level 3 Extended Diploma Film & Photography Course. I will also be making sure to work as hard as I can to really push for the highest possible grades in both GCSE English & GCSE Maths.

If you enjoyed reading the notes and research I gathered together for this Pecha Kucha presentation, please feel free to comment below. All feedback is much appreciated and the all of the notes and research from the Pecha Kucha presentation, including the photographs I produced from my visits to Kelsey Park, Dulwich Park and Beddington Park can be found in my E-FOLIO.

Alex Smithson