The Concept of Expression: Samuel Cato

Following the first photography article I did after the beginning of 2018, which featured my close friend, Wesley Baker (CDN), I have now photographed my close friend who I’ve known since secondary school, Samuel Cato.

Despite the odd spot of rain, mild warmth and a hint of sunny weather, I was able to travel to Sydenham to photograph Sam for this photography series, and I was able to get him to express himself freely as I believe in the idea of being able to express yourself free from judgment, but where he could express himself without conforming to society’s needs, beliefs and expectations, and that getting him to express himself will always be about being equal and diverse without any forms of judgment.

Below are all of the photographs I took yesterday of my close friend, Samuel Cato.

I am so pleased with the end result given that the days are getting brighter and are staying brighter for longer, as the lighting conditions improved and it was nice and sunny after a small spot of rain, but I am really blown away by the end result of these photographs. Of course, I acknowledge the photos may look grainy, but that’s because I wanted to try and capture the essence of the early Spring weather before Spring really kicks in once the Winter season ends.

If there are any improvements you feel I could make, please tell me in the comments, as your feedback will help me improve my photography skills in the future.

Also, if you enjoyed this photo-set, please share this article around with anyone you know.

Alex Smithson

DSLR Used: Nikon D3300

Lens Used: NIKKOR 18 – 55 mm Lens

Date of Photo-Set Produced: Tuesday 6th March 2018

Fazal Sheikh / Research

As part of my Final Major Project, I have been doing research on the photographers that influence me in the photography work I want to produce, which will be based on Facial Expressionism. The first photographer I have researched for my Final Major Project is Fazal Sheikh.

Fazal Sheikh’s photography work aims to document and personalise the power of portraiture whilst bring the displaced parts of the world, including its own people, into focus.

Below are the slides in the exact order, and the work I have done Harvard Referencing for which references Fazal Sheikh’s photography work I take absolutely no credit for. I also take absolutely no credit for the photograph of Fazal Sheikh produced by the MacArthur Foundation. I’m just merely referencing Fazal Sheikh’s work and the photograph of Fazal Sheikh produced by the MacArthur Foundation in my research as inspiration to inform and develop my own photography work inspired by him.

The pages that are referenced can be found below, complete with Harvard Referencing, the awards that Fazal Sheikh has received for his work, as well as the various exhibitions he has done that showcases his work, not to mention the publications and ISBN numbers, and also his collections, with external links to further research. All credit goes to Fazal Sheikh and the MacArthur Foundation.

This research will help me to develop my Facial Expressionism Final Major Project better, as I will be photographing some subjects for my project, so you should see some photography work very soon. This research presentation can also be found in my E-Folio and any of the subjects I photograph will also be in the E-Folio once the subject photographs are published. There’s a lot of good photography opportunities in store so I can be sure that I will be able to present to you a lot more of my creative film and photography work.

If you enjoyed or found this research presentation useful, please let me know. I would love to hear your response.

Alex Smithson