Headshot Photographs / #1 to #10 / Facial Expressionism / Final Major Project / Contact Sheets

As I prepare to end my Final Major Project, which comes to a close on Monday 5th June, I have created Contact Sheets for my Final Major Project, which will be in my sketchbook once printed.

All of the Headshot Photographs which consist of my close friends, which are Jonathan McCartney, Steven Geer, Oli Regan, Leonardo Mouza, Terrence Mathew, Mhamad Rauf & Kasra Soltani, are almost ready for the End of Year Show, and all I need to do now is get the photos put on to a large number of slides, timed around 10 to 20 seconds each, and then all that’s left is to finalise my proposal and then the sketchbook annotations, along with the Final Evaluation.

I hadn’t anticipated my last year of college would fly so quick! Time flies when you’re having fun, also when you’re working your socks off to make sure you can achieve the best from the work you produce.

Below are all of the contact sheets from #1 to #10, including the photo edits and black and white versions of the original photographs.

Headshot #1 – Jonathan McCartney

Headshot #1 – Jonathan McCartney / WordFoto Edits

Headshot #2 – Jonathan McCartney

Headshot #2 – Jonathan McCartney / WordFoto Edits

Headshot #2 – Jonathan McCartney / Black & White Versions of Original Photographs

Headshot #3 – Steven Geer

Headshot #3 – Steven Geer / WordFoto Edits

Headshot #3 – Steven Geer / Black & White Versions of Original Photographs

Headshot #4 – Oli Regan / Black Backdrop & Red Backdrop

Headshot #4 – Oli Regan / WordFoto Edits / Black Backdrop & Red Backdrop

Headshot #4 – Oli Regan / Black & White Versions of Original Photographs

Headshot #5 – Leonardo Mouza

Headshot #5 – Leonardo Mouza / WordFoto Edits

Headshot #5 – Leonardo Mouza / Black & White Versions of Original Photographs

Headshot #6 – Terrence Mathew & Leonardo Mouza

Headshot #6 – Terrence Mathew & Leonardo Mouza / WordFoto Edits

Headshot #6 – Terrence Mathew & Leonardo Mouza / Black & White Versions of Original Photographs

Headshot #7 – Mhamad Rauf

Headshot #7 – Mhamad Rauf / WordFoto Edits

Headshot #7 – Mhamad Rauf / Black & White Versions of Original Photographs

Headshot #8 – Kasra Soltani

Headshot #8 – Kasra Soltani / WordFoto Edits

Headshot #8 – Kasra Soltani / Monochrome (Black & White) / Facial Expressionism Photographs + A Continuation of the First Set of Facial Expressionism Photographs

Headshot #9 – Kasra Soltani

Headshot #9 – Kasra Soltani / WordFoto Edits

Headshot #9 – Kasra Soltani / Black & White Versions of Original Photographs

Headshot #10 – Kasra Soltani

Headshot #10 – Kasra Soltani / WordFoto Edits

Headshot #10 – Kasra Soltani / Black & White Versions of Original Photographs

These contact sheets are essential for the project work I have produced, as they cover all of the work I have produced for the Final Major Project and given the fact I have named the photographs, this is beneficial for me as I can prepare for the end of the Final Major Project whilst I prepare a photographic presentation for the End of Year Show.

It’s hard to believe that on Monday 5th June at 11:30 AM, all of the work I have produced will be handed in for what will be the last time. I still cannot get my head around the fact I have only a few weeks left at Croydon College. The time sure flew! School went quick, there’s no denying that, but college, on the other hand, went like a blip!

These contact sheets, which go in conjunction with all of the coursework I have produced, will be viewable in the E-Folio.

Please submit below your response on whether there are any improvements I can make for when I produce photography work similar to the headshot photography work I have produced in the future. I would love to hear your response.

Alex Smithson

Monthly Roundup: April 2017

Wow! This month sure flew like the wind. I’ve been so busy with coursework and revision lately that the time has flown! I am so pleased to have got so much coursework done and I’m so glad to have shown all of you the work I have produced for my Final Major Project, including the research I have done for my Facial Expressionism Final Major Project.

Without further ado, I shall now take a look back at the articles I published over the course of April.

1.4.2017 – Welcoming you all to April on Mother Nature, I mentioned that this month would set to be just as relaxing and as peaceful as March, but that it would also be set to be quite the busy month for me, considering I would need to travel to places up in London that I can photograph, including heading to certain galleries in London to further my research and development for the Facial Expressionism Final Major Project that I’ve been working on.

7.4.2017 – The Blossoming Feels of Spring highlighted how wonderful this day was because it was nice and sunny, the temperature was just right. and I had ceased the opportunity to photograph some parts of my garden. I experimented with the ISO frequently to see which ISO setting suited the lighting conditions the best.

8.4.2017 – Nature is Beautiful proved that even Mother Nature herself continued to amaze us and because there was a small breeze in the air with the lovely sunny weather on this day, it was safe to say that this weather was beautiful and that Mother Nature is also beautiful.

9.4.2017 – Inspire to be Positive was my way of inspiring others and to promote positivity, equality and diversity towards everyone, and that we should all drown out negativity and inequality.

11.4.2017 – This day marked the beginning of a new chapter for Windows 10. As Windows Vista officially ended extended support on this day, the Windows 10 Creators Update was officially released. I gave a full run-down on the features I came across in the Creators Update considering that I made the jump to the Windows 10 Creators Update a week early ahead of this day’s official release and mentioned that another major Windows Update was set to be released in the coming months.

15.4.2017 – As it was four years since I last visited Battersea Park, it was safe to say that not a lot had changed since my last visit. During the course of my time that I revisited Battersea Park, I produced a large photographic collection that consisted of my journey to Battersea Park, including perspective photographs that I took throughout certain areas of Battersea Park itself, even though two dogs had caught two of the tennis balls me and my family were using when we played cricket on the large field, which were eventually knackered after a few whacks with the cricket bat.

21.4.2017 – As part of my Final Major Project, I did research on the photographers that influenced me in the photography work I wanted to produce, considering that my Final Major Project is based on Facial Expressionism. The first photographer I researched for my Final Major Project was Fazal Sheikh, as his work aimed to document and even personalise the power of portraiture whilst bringing the displaced parts of the world, including its own people, into focus.

23.4.2017 – Continuing on from the first photographer I researched for my Final Major Project, the second photographer I chose to research was Irving Penn, as he was an American photographer who was best known for his portrait, still life and fashion photography collections, and his photography career consisted of work he produced with the top fashion magazine company, VOGUE, including Clinique and Issey Miyake.

24.4.2017 – Following on from the research I did so far for my Final Major Project, I started to develop my photography skills further, and the first subject I photographed for my Final Major Project was my good friend, Jonathan McCartney. As Fazal Sheikh & Irving Penn’s photography work inspired me in the development of my Facial Expressionism Final Major Project, I experimented with a white backdrop on the first set of photographs I took of my friend, Jonathan and acknowledged that some of the emotions might not connect to some of the photographs depending on which way the first headshot photographs were viewed. I also experimented further with the same photographs by converting the photographs into words with the app, WordFoto.

25.4.2017 – Following on from the first set of headshot photographs I took of my good friend, Jonathan McCartney, I presented to you the second headshot photographs I took of my friend, Jonathan, but this time, with a black backdrop, which I must say actually worked much better compared to a white backdrop, and the black backdrop was an idea a close friend of mine suggested to me after he critiqued the Headshot #1 photographs I took of Jonathan. These headshot photographs not only improved my photography skills, but it made a lot of sense to use a black backdrop in these photographs, including any other photographs that I would produce. I made sure to experiment carefully with these photographs by editing them in WordFoto and GIMP (GNU Image Manipulation Program) so that they could retain the facial expressions I asked Jonathan to make, as these headshot photographs would tie in with my Facial Expressionism Final Major Project, including the research I did so far on the Facial Expressionism photographers, Fazal Sheikh and Irving Penn.

28.4.2017 – Continuing on from the first and second photographer I researched for my Final Major Project, the third photographer I chose to research was Thomas Ruff. Thomas Ruff is a German photographer who lives and also works in Düsseldorf in Germany. As he shares a photography studio with other German photographers, such as Andreas Gursky, Axel Hütte and Laurenz Berges on Düsseldorf’s Hansaalee, the photography studio itself formerly comprised of a municipal electricity station, which was converted between the course of 1998 and 2000 by the architects, Herzog & de Meuron, who are part of Tate Modern fame, with an updated basement gallery that was completed in 2011.

29.4.2017 – Following on from the research I did so far on the photographers, Fazal Sheikh, Irving Penn and Thomas Ruff, the second subject I chose to photograph for my Final Major Project was Steven Geer. For the Headshot #3 photographs, just like I did with the Headshot #2 photographs I took of my friend, Jonathan McCartney, I had made sure to use the black backdrop again, so that the facial expressions I would get Steven to do wouldn’t just have a real sense of depth, but that the expressions that Steven would make would capture a real sense of emotion. I experimented very carefully with the photographs as these photographs would build on the research I did so far on the 3 facial expressionist photographers; Fazal Sheikh, Irving Penn & Thomas Ruff.

30.4.2017 – Following on from the research I did so far on the photographers, Fazal Sheikh, Irving Penn and Thomas Ruff, the third subject I am honoured to have photographed for my Final Major Project was the famous actor and Mental Health Awareness Campaigner, Oli Regan. For the headshot photographs I took of Oli, I experimented with a black backdrop so that the facial expressions I asked Oli to make would give the emotion from the facial expressions he made more emphasis and more depth. After I photographed Oli with the black backdrop, I then opted to try out a red backdrop, so that I could capture some of the facial expressions again, but this time, I wanted to try and photograph Oli like as if I photographed him for a magazine cover photoshoot.

Thanks so much to all of you for such a fantastic, fun-filled, exciting and fun-filled month. I am so honoured to have shared my photography work and the research I’ve done with all of you. I have noticed I’ve been a whole lot more productive with the work I’ve produced, as well as the research I’ve done and I am so determined to succeed with a much higher grade this time around that I am making sure to work my socks off to get the best grades I want to get before I finish my final year of college at the beginning of July. I will make sure to work hard to succeed and to make sure I end my education on a high note and to also go out with a bang!

Again, thanks so much to all of you for such a fantastic, fun-filled, exciting and fun-filled month and I will see you all in May.

Alex Smithson

Headshot #2 / Facial Expressionism / Final Major Project / Jonathan McCartney

Following on from the first set of headshot photographs I took of my good friend, Jonathan McCartney, I present to you the second headshot photographs I took of my friend, Jonathan, but this time, with a black backdrop, which I must say actually works much better compared to a white backdrop, and the black backdrop was an idea a close friend of mine suggested to me after he critiqued the Headshot #1 photographs I took of Jonathan.

These headshot photographs have not only improved my photography skills, but it does make a lot of sense to use a black backdrop in these photographs, including any other photographs that I will produce.

I have made sure to experiment carefully with these photographs by editing them in WordFoto and GIMP (GNU Image Manipulation Program) so that they can retain the facial expressions I asked Jonathan to make, as these headshot photographs tie in with my Facial Expressionism Final Major Project, including the research I have done so far on the Facial Expressionism photographers, Fazal Sheikh and Irving Penn.

Below are the Headshot #2 photographs of my friend, Jonathan.

Just like before, I have edited these photographs with WordFoto and used more than one word on one of the edited photographs shown below.

I have made sure to develop the photographs further by also changing the selected photographs to black and white whilst raising and lowering some of the curves on the photographs so that the lighting on Jonathan brings out his facial expressions better with a sense of depth and detail.

Overall, I am absolutely pleased with the end result that has come out of these photographs, and being critiqued on my work has actually helped me to develop my photography skills better, not just from receiving peer critique whilst in my Film & Photography lesson, but also from receiving critique from a close friend of mine.

The Headshot #2 photographs I have taken of my friend, Jonathan McCartney, including the edited versions of these photographs that I produced in WordFoto and GIMP (GNU Image Manipulation Program) can be found in my E-Folio.

I would love to get your feedback on these photographs and please let me know what improvements I can make for when I produce more Facial Expressionism headshot photographs for next time. Your feedback is greatly appreciated.

Alex Smithson

Headshot #1 / Facial Expressionism / Final Major Project / Jonathan McCartney

Following on from the research I have done so far for the Final Major Project, I have started to develop my photography skills further, and the first subject I have photographed for my Final Major Project is my good friend, Jonathan McCartney.

As Fazal Sheikh and Irving Penn’s photography work has inspired me in the development of my Facial Expression Final Major Project, I have experimented with a white backdrop on the first set of photographs I have taken of my friend, Jonathan. Below are the headshot photographs I produced showing Jonathan doing different facial expressions. I acknowledge that some of the emotions might not connect to some of the photographs depending on the way these photographs are viewed, but I will be improving on this over the next few weeks.

Below are the headshot photographs I have produced so far.

I also experimented further by using the same photographs again, but this time, using the WordFoto app and I was able to use the WordFoto app to convert these photographs into words. The edited versions of these photographs can be found below.

I am pleased with the end result that has come out of the headshot photographs I produced. I have taken into account the peer critique I received on Friday 21st March 2017, especially the peer critique a close friend of mine gave to me on how to improve, and for the next set of photographs I produce which will consist of a different subject I photograph, I will be making sure to use a black backdrop as this will give me the chance to get the subject I will photograph to stand out better. A black backdrop is what I will use next time as the subject’s facial expressions can stand out more with some depth behind it to back up the facial expressions that are made.

The Headshot #1 photographs I have taken of my friend, Jonathan McCartney, including the edited versions of these photographs that I produced in WordFoto can be found in my E-Folio.

I would love to get your feedback on these photographs and please let me know what improvements I can make for when I produce more Facial Expressionism photographs next time. Your feedback is greatly appreciated.

Alex Smithson