Headshot #10 / Facial Expressionism / Final Major Project / Kasra Soltani

Bringing my Facial Expressionism Final Major Project to a remarkable close, Headshot #10 marks the end of my Final Major Project Practical Work as I have photographed my close friend, Kasra Soltani.

For this final collection of headshot photographs, I have made sure to get Kasra to do some facial expressions like before, but for these headshot photographs, I have adjusted the lighting to accommodate for better focus on Kasra so that each expression he has made connects to the photography work I have already produced. Taking a new direction on the photographs, Kasra has done some new facial expressions that I initially didn’t have in mind at first and this has given me a better outlook as to how I can assign each expression with its own name, as well as to how that specific emotion connects to the facial expression I have not only asked him to make, but the facial expressions he has made naturally in most of these photographs.

This final headshot collection has informed my critical thinking, as well as the research I have done on the five photographers, which are Fazal Sheikh, Irving Penn, Thomas Ruff, August Sander & David Bailey.

Below are the final headshot photographs for my Facial Expressionism Final Major Project, complete with the WordFoto Edits and Black & White Versions of the Original Photographs.

Canon EOS 1200D

WordFoto Edits

Black & White Versions of Original Photographs

I am so pleased to have achieved such fantastic results from the photography work I have produced throughout the course of the Facial Expressionism Final Major Project, and I have noticed that every headshot collection I have produced I’ve seen improvements every time. Now that I have got together all the photographs I have produced for my Final Major Project, I will be making sure to pick a selected number of photographs from all of the headshot articles to present them as my chosen final pieces. Contact sheets are being produced at this stage which will be going in my sketchbook and my aim is to get the Final Major Project Proposal done and finalised and then get the last of my Facial Expressionism Final Major Project work done and ready before Monday 5th June.

All of the research and headshot photographs I have produced as part of my Facial Expressionism Final Major Project coursework can be found in my E-Folio.

Headshot #10 brings the practical work for my Facial Expressionism Final Major Project to a remarkable close. I am so pleased to have worked my socks off over the last few weeks. All this hard work will eventually pay off and considering it’s my final year at Croydon College and my final year of the two-year film and photography course, I want to make sure I can aim for a higher grade with all of this coursework. I am keeping my fingers crossed that I can get the best final result possible by the end of this year.

I am open to your responses and critique, so please feel free to suggest any improvements you feel I could make when it comes to producing any future photography work.

Your responses and critique are greatly appreciated.

Alex Smithson

If you want to follow my close friend, Kasra Soltani, on Instagram, I have provided his Instagram username here: @Kass.ll7

Headshot #9 / Facial Expressionism / Final Major Project / Kasra Soltani

Continuing on from Headshot #8, I have photographed my close friend, Kasra Soltani, for Headshot #9 of my Facial Expressionism Final Major Project.

For these headshot photographs, just like I did with Jonathan McCartney, Steven Geer, Oli Regan & Leonardo Mouza, I have used a black backdrop to bring out the emphasis of the facial expressions I have asked him to make.

As my research has influenced, informed and helped me to develop my critical thinking and photography skills further, I have made sure that these photographs stand out and give the facial expressions I have asked Kasra to make a better insight, so that each facial expression brings to the surface the emotion that goes with that specific facial expression.

As well as the facial expressions I have asked Kasra to make, I have also photographed him doing different facial expressions naturally, so in this case, when I say natural, I mean he has been able to do facial expressions I wouldn’t usually expect him or anyone else to do. I’ve even got him to do some of the expressions again, but this time, in his own way, so at least then his natural facial expressions compared to the facial expressions I have asked him to make put more emphasis on the photography work I have produced.

Below are the headshot photographs, including the WordFoto Edits and the Black & White Versions of these photographs I have produced featuring my cl0se friend, Kasra Soltani.

Canon EOS 1200D

WordFoto Edits

Black & White Versions of Original Photographs

I feel that these photographs I have produced of my close friend, Kasra, for Headshot #9, show dramatic improvements in my photography skills, as I have made sure to adjust the position of the light to set the tone of these photographs correctly to the emotions I have asked Kasra to make, and I have noticed that my photographs have more of a shallow depth of field. I have also noticed and improved over the course of time with the clarity of the photographs I have taken, and I strongly feel that Headshot #9 has helped to inform and note the improvements and changes I have made to make these photographs stand out. To improve for next time, I will be making sure to explore the emotions effectively as opposed to Kasra’s body language, so that his body language can reflect the facial expressions I have asked him to make, as well as the facial expressions he has made himself.

These photos of my close friend, Kasra Soltani, that I have produced for Headshot #9 can be found in my E-Folio.

I am open to your responses, so please let me know if there are any improvements I can make for next time and if so, please highlight the areas you feel I could improve on for next time when I publish Headshot #10. which will be the final headshot article to close much of the practical side of my Facial Expressionism Final Major Project.

Your responses and critique are greatly appreciated.

Alex Smithson

If you want to follow my close friend, Kasra, on Instagram, I have provided his Instagram username here: @Kass.ll7

Headshot #8 / Facial Expressionism / Final Major Project / Kasra Soltani

As part of my Final Major Project, Headshot #8 follows on Headshot #7, which focused on the subject, Mhamad Rauf, and Headshot #8 focuses on my next subject, which is my close friend, Kasra Soltani.

For these photographs, I wanted to create a different approach to the facial expressions I wanted Kasra to make by getting him to do those facial expressions as to the way he makes those facial expressions naturally.

I experimented, just like with Headshot #6 of Terrence & Leonardo and with Headshot #7 of Mhamad, with the graffiti as a backdrop, as I wanted to photograph Kasra down in the walkway that is just on the right-hand-side outside the rotunda of Croydon College.

All of these headshot photographs build further on all of the research I have done over the course of the Facial Expressionism Final Major Project, and the five photographers I have done research on are Fazal Sheikh, Irving Penn, Thomas Ruff, August Sander & David Bailey.

Below are the headshot photographs I have produced of Kasra, including some Monochrome photographs that I produced after I finished photographing Kasra making the facial expressions I asked him to do for these photographs.

Canon EOS 1200D

WordFoto Edits

Monochrome (Black & White) / Facial Expressionism Photographs + A Continuation of the First Set of Facial Expressionism Photographs

I feel that the research I have done over the course of the Facial Expressionism Final Major Project has really informed and developed my photography skills further. I have noticed with these photographs I have taken of Kasra that my photography skills have rapidly improved. Up until I photographed Terrence, Leo, Mhamad & Kasra, I was initially against the idea of photographing outside the college, but I was glad to have experimented further with my photography skills by photographing outside the college. as I have noticed in just the short space of a few weeks that my photography skills are now a lot better.

These photographs I have taken of my close friend, Kasra Soltani, including the edits I have produced can be found in my E-Folio, but stay tuned, as I will be publishing Headshot #9 very soon, in which I have photographed Kasra again, but this time in the photography studio. I can guarantee that the next batch of photographs I have produced for Headshot #9 featuring Kasra will be the best photographs I have produced yet.

I would most certainly love to get your response on these photographs and please let me know if there are any improvements I can make for next time. Your response is greatly appreciated.

Alex Smithson

If you want to follow my close friend, Kasra, on Instagram, I have provided his Instagram username here: @Kass.ll7

David Bailey / Research

Drawing the research stage of my Facial Expressionism Final Major Project to a remarkable close, the fifth and final photographer I have chosen to research for my Facial Expressionism Final Major Project is David Bailey.

David Bailey is an English Fashion & Portrait photographer, who became a photographic assistant at the John French studio in 1959 and in 1960, David Bailey was a photographer for John Cole’s Studio Five before he was contracted for the iconic and internationally renowned fashion magazine, British VOGUE.

Below are the slides in the exact order, and the work I have done Harvard Referencing for which references David Bailey’s photography work I take absolutely no credit for. I also take absolutely no credit for the self-portrait photograph produced by David Bailey himself. I’ve merely referenced David Bailey’s photography work in my research as inspiration to inform and develop my own photography work and photography skills further as I approach the end of my Facial Expressionism Final Major Project.

The pages that are referenced can be found below, complete with Harvard Referencing, which describes in short detail who David Bailey is, the best photographic pieces of work he has produced, the publications he has released, the exhibitions he has done to showcase his photography work, including the awards he has received, with references and external links to further research. All credit goes to David Bailey.

Now that I have managed to cover all five photographers for the Facial Expressionism Final Major Project I have been working on, David Bailey’s photography work, including Fazal Sheikh, Irving Penn, Thomas Ruff & August Sander‘s work have helped me to develop my headshot photographs better. As I am wrapping up the Facial Expressionism Final Major Project very soon, I can promise there are three more headshot photography articles on the way.

This research presentation on David Bailey can also be found in my E-Folio and the next subject I have photographed, who is the last subject I have photographed for my Facial Expressionism Final Major Project before I submit all of my Final Major Project coursework on Monday 5th June 2017 will also be featured in the E-Folio once they’re published. I can confirm there are three more headshot photographs on the way, so keep your eyes peeled, as these photographs I have taken have shown my improvements in my photography skills, as well as the locations I have shot these photographs whilst in Croydon.

If you found this final research presentation on David Bailey useful, please let me know. I would love to hear your response.

Alex Smithson

Headshot #7 / Facial Expressionism / Final Major Project / Mhamad Rauf

Continuing on from Headshot #6, in which I photographed Terrence Mathew & Leonardo Mouza, Headshot #7 focuses on my next photographed subject, which is Mhamad Rauf.

For this photographic set, just like I did with Terrence Mathew & Leonardo Mouza, I photographed Mhamad outside and got him to do the facial expressions I asked him to make, but also photographed him in different positions, including some modelling headshots.

The graffiti on the walls of the walkway really help as they put an emphasis on the facial expressions I have got Mhamad to make, as the colour of the walkway, including the graffiti, can help to compensate for the facial expressions I have asked Mhamad to make.

At this stage, these photographs have informed the research I have done on Fazal Sheikh, Irving Penn, Thomas Ruff & August Sander.

Below are the headshot photographs of Mhamad Rauf, including the WordFoto Edits and Black & White Versions of the Original Photographs.

Canon EOS 700D

WordFoto Edits

Black & White Versions of Original Photographs

Overall, I am so pleased with the end result that has come out of these photographs I have produced and by experimenting again with the walls of graffiti found in the walkway outside Croydon College, this has actually allowed me to let my creativity run wild, ultimately giving me the chance to produce these photographs with more vibrancy so that they connect to my Facial Expressionism Final Major Project.

These photographs I have produced will help me to build on, develop and inform my photography skills further and will most certainly inform the creative work, research and headshot photographs I have already produced.

The Headshot #7 photographs I have taken of my close friend, Mhamad Rauf, including the edited versions of these photographs that I produced in WordFoto and GIMP (GNU Image Manipulation Program) can be found in my E-Folio.

I would most certainly love to get your response on these photographs and please let me know if I can make future improvements for next time. Your response is greatly appreciated.

Alex Smithson

August Sander / Research

Continuing on from the first, second and third photographer I have researched for my Final Major Project, the fourth photographer I have chosen to research is August Sander.

August Sander was a German portrait and documentary photographer, and his first book, titled: “Face of Our Time (German for Antlitz der Zeit)”, was published in 1929. He was also described as being “the most important German portrait photographer of the early twentieth century.”

Below are the slides in the exact order, and the work I have done Harvard Referencing for which references August Sander’s photography work I take absolutely no credit for. I also take absolutely no credit for the self-portrait photograph produced by August Sander and used by Widewalls. I’ve merely referenced August Sander’s work in my research as inspiration to inform and develop my own photography work and photography skills further.

The pages that are referenced can be found below, complete with Harvard Referencing, which includes August Sander’s legacy, the posthumous exhibitions done after August Sander passed away on the 20th April 1964, including the publication he released in 1929, titled: “Face of Our Time”, also noting the unreleased book that was left incomplete that detailed his travels, with references and external links to further research. All credit goes to August Sander Stiftung and Widewalls.

The research I’ve done on August Sander will help me to develop my headshot photographs better for my Facial Expressionism Final Major Project. As I’ve mentioned before, I will be photographing some subjects for my Facial Expressionism Project, so you’ll be seeing some new headshot photographs very soon. This research presentation can also be found in my E-Folio and any of the subjects I photograph will also be featured in the E-Folio once the headshot photographs I produce of the subjects I photograph for my Facial Expressionism Final Major Project are published. I can promise there are more headshot photographs on the way, so keep your eyes peeled!

If you found this research presentation on August Sander useful, please let me know. I would love to hear your response.

Alex Smithson

Headshot #2 / Facial Expressionism / Final Major Project / Jonathan McCartney

Following on from the first set of headshot photographs I took of my good friend, Jonathan McCartney, I present to you the second headshot photographs I took of my friend, Jonathan, but this time, with a black backdrop, which I must say actually works much better compared to a white backdrop, and the black backdrop was an idea a close friend of mine suggested to me after he critiqued the Headshot #1 photographs I took of Jonathan.

These headshot photographs have not only improved my photography skills, but it does make a lot of sense to use a black backdrop in these photographs, including any other photographs that I will produce.

I have made sure to experiment carefully with these photographs by editing them in WordFoto and GIMP (GNU Image Manipulation Program) so that they can retain the facial expressions I asked Jonathan to make, as these headshot photographs tie in with my Facial Expressionism Final Major Project, including the research I have done so far on the Facial Expressionism photographers, Fazal Sheikh and Irving Penn.

Below are the Headshot #2 photographs of my friend, Jonathan.

Just like before, I have edited these photographs with WordFoto and used more than one word on one of the edited photographs shown below.

I have made sure to develop the photographs further by also changing the selected photographs to black and white whilst raising and lowering some of the curves on the photographs so that the lighting on Jonathan brings out his facial expressions better with a sense of depth and detail.

Overall, I am absolutely pleased with the end result that has come out of these photographs, and being critiqued on my work has actually helped me to develop my photography skills better, not just from receiving peer critique whilst in my Film & Photography lesson, but also from receiving critique from a close friend of mine.

The Headshot #2 photographs I have taken of my friend, Jonathan McCartney, including the edited versions of these photographs that I produced in WordFoto and GIMP (GNU Image Manipulation Program) can be found in my E-Folio.

I would love to get your feedback on these photographs and please let me know what improvements I can make for when I produce more Facial Expressionism headshot photographs for next time. Your feedback is greatly appreciated.

Alex Smithson

Kelsey Park / Croydon School of Art / Curiosity / Self-Directed Project / 24.1.2017

As part of my Self-Directed Project, I travelled to Kelsey Park to snap a collection of photographs given that my Self-Directed Project focuses around Nature. For this Self-Directed Project, I researched 5 different nature photographers; Ansel Adams, David Muench, John Shaw, Art Wolfe & Joel Sartore.

As I last visited Kelsey Park 3 years ago, it is safe to say that my photography skills have dramatically and rapidly improved quite a lot over time.

This large collection of photographs that I took of Kelsey Park would comprise of some species of ducks and geese, including some squirrels as well.

As I have a strong passion for nature and photography, I was lucky enough to photograph at least two swans, one of which you can see above which I changed to black and white.

I was surprised to notice that Kelsey Park’s lake was mostly frozen from the blisteringly cold weather, though one of the Moor Hen’s decided to land and slid across the ice. I did change the ISO mostly to photograph this collection considering that nightfall wasn’t far behind, so I did make sure to make the most of the daylight to snap these photographs.

I got some photographs of the Canada Geese up, close and personal, but I did make sure to walk very slowly and crouch down slowly in order to produce these photographs to the best standard where possible.

In terms of these photographs, I feel this is my best photographic collection to date because I have changed the ISO and got a bit more close up with nature which is what I’ve been looking to do for a while. I must admit, I took these photos with an 18 – 55 mm Nikkor Lens which came bundled with the Nikon D3300 DSLR and I didn’t need to opt for a bigger camera lens. On the plus side, I was absolutely glad that I took these photographs on Tuesday as this photographic collection will help me with my self-directed project.

If you have been to Kelsey Park before, please let me know, I would love to hear what your thoughts are on Kelsey Park and if you have never been to Kelsey Park, don’t worry, this photographic collection will give you an in-depth look on Kelsey Park and the beauty of nature. Mind you, I am pleased with the final results I’ve achieved from this photographic collection and I will continue to improve my photography skills and get behind the DSLR more.

If you enjoyed this photographic collection of Kelsey Park, please let me know. I would love to hear your feedback.

Alex Smithson

© The Croydon College Logo & Croydon School of Art Logo are both copyright of Croydon College & Croydon School of Art. Permission has been granted for these logos to be used. No copyright infringement intended.

BOXPARK is Officially Open!

It’s been a long time coming, and after a long wait, BOXPARK is officially open in Croydon!

I used the opportunity today to snap a large collection of photos during my lunch break and also after I finished my first day back at college after the one-week holiday. It’s absolutely lovely and so peaceful in BOXPARK.

It’s absolutely peaceful in BOXPARK and is the best place in my opinion where you can meet up with good friends you may or may have not seen in a long time, also because there are so many benches and tables available, which is useful if you want to have something to eat with friends, and not only that, but if you’re someone who likes to study in your own free time, BOXPARK is a useful place to study if you’re someone who loves to be creative.

Below are all of the 56 photographs I took today, including an edited version of one of the photographs I took earlier today.

I wanted to take these photos to show you BOXPARK in its full glory for the remarkable design aspects and perspectives it carries. BOXPARK stands tall and makes a statement of its own, stating that they want you to be able to enjoy yourself and to have a good time. They aim to repackage and repurpose what is already known into the unknown, but into an entirely new concept that no one has even thought of or ever seen before.

If you’re in Croydon, and have visited BOXPARK, please let me know. I’d love to know your thoughts on BOXPARK. If you are someone who loves travelling the world and you plan to travel to Croydon, London or even Shoreditch to see BOXPARK, please let me know your thoughts about BOXPARK, I would love to hear your feedback.

Alex Smithson

Weekly Log 6 (Tuesday 17th May 2016 – Thursday 19th May 2016) – Final Major Project